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Portraits of cities by choreographer Emmanuelle Huynh and artist Jocelyn Cottencin

Portraits of cities by choreographer Emmanuelle Huynh and l & # 14; artist Jocelyn Cottencin

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Portraits of cities by choreographer Emmanuelle Huynh and l & # 039; artist Jocelyn Cottencin

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Portraits of cities by choreographer Emmanuelle Huynh and l & # 039; artist Jocelyn Cottencin

Choreographer Emmanuelle Huynh and artist Jocelyn Cottencin continue their portraits of cities through films and gestures. The Carré d’art – Musée d’art contemporain, in Nîmes, hosts two must-see projects between films and exhibitions.

One, Emmanuelle Huynh, is a dancer, choreographer and philosopher; the other, Jocelyn Cottencin, is a typographer, graphic designer and visual artist. Since 96, the two draw up from words and gestures the portrait of cities. Their ambition? Tell the story of a territory by revealing its memory and witnessing its evolution. The protocol – divided into three stages – is each time identical: location based on encounters, filming during which a certain number of performances will be filmed in the public space, and creation of a video-installation made up of these visual materials and sound. “These projects can be described as a kind of fictional anthropological work. There is no desire for realism and exhaustiveness here, or even documentary intentions. ”

After having collected the words and the moving bodies of the inhabitants of New York , in A Taxi Driver , an Architect and the High Line (above, 2016), and Saint-Nazaire, with We have come too far to forget who we are (2019), Jocelyn Cottencin and Emmanuelle Huynh continue this cycle by observing two other metropolises, Houston and São Paulo. Between reality and fiction.

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The Carré d’Art, in Nîmes, also presents, as part of a exhibition

titled Suspension / Stillness , the works of five female artists whose works have recently entered the museum’s collections. Thus the paintings and sculptures of Suzan Frecon, Charlotte Posenenske, Lili Dujourie and Trisha Donnelly echo the poetic and colorful landscapes of Etel Adnan , died on 13 November at the age of 96 years. Nice posthumous tribute.

Emmanuelle Huynh and Jocelyn Cottencin. From vertical, become horizontal, spread out and Suspension / Stillness , until 13 March, at the Carré d’art – Musée d’art contemporain, in Nîmes. carreartmusee.com